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Aesthetics of Opera in the Ancien Regime, 1647–1785
Cambridge Studies in Opera
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Thomas considers the use of operatic spectacle and music by Louis XIV as a vehicle for absolutism; the resistance of music to the aesthetic and political agendas of the time; and the long-term development of opera in eighteenth-century humanist culture, examining key works by Lully, Rameau and Charpentier, among others.
Aesthetics of Opera in the Ancien Regime, 1647–1785