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Art, Science, and the Body in Early Romanticism
Cambridge Studies in Romanticism
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This new, interdisciplinary history of romanticism, art and science, reveals how romantic artworks participated in a profound crisis concerning the relationship between knowledge and the human body at the end of European Enlightenment. A multi-national approach focuses on the artists Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg.
Art, Science, and the Body in Early Romanticism